Dear Speed Seduction® Student,
Someone who didn’t know better might think I have a major challenge meeting women, myself. Think about it: the moment she asks “what do you do for a living?”, what do you think I tell her?
Will I be defeated by bullshit social programming that has some people brainwashed into thinking seduction is “icky”? Watch and find out:
Point being: if I can master this, YOU can certainly overcome whatever’s stopping you from using the Blowjob Pattern.
Peace and piece,
PR (aka RJ)
P.S. This is Part 1 of 2 of a lesson I taught at the recent Speed Seduction® seminar in London. Your last chance to get the full 3-day experience is October 5-7 in Los Angeles.
CLICK HERE TO LEARN MORE NOW >>>
[…] rest is here: How I Tell Women I’m The “Guru Of Getting Some” (Part 1) No […]
It’s quite easy inducing a compulsive arousal, but to create the exciting anticipation, that’s a metastate…
If the target isn’t involved in the process, the arousal pattern can be only an accelerator, instead if I want to start up seducing her with a bj pattern she must actively participate and stay in rapport while I fractionate during the pattern. Right?
My description of SS defines a “fractionation between” and “fast fractionation inside” that build up tension or investement, “fractionation after” that gets a soft amnesia, and “fractionation around” that lubrificates (the framework of a normal playful conversation).
Is this model correct?
Paul, what you’ve displayed here is one of my goals for learning to language. To at any moment begin to sexualize any conversation without having to go into a canned pattern or routine. This is a great example of how ANY meeting can be instantly sexualized simply by inserting small bits of understanding about focus language, ambiguities, commands, and suggestions. I’m well on my way!
@Clyde keep up the good work!
Hahaha Ross hijacking my breathing just like that hahahahaha your tonality is verrry good.
[…] up right where we left off last week, check out this short video clip and see even more of how I use tonality and body language in […]
Beautiful!